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They brawl in a stone-walled chamber, as gamblers in waistcoats and top hats cheer them on, like .In a makeshift dressing room directly above them, James Franco hears the ruckus through the floorboards and smiles as a young woman combs pomade into his hair."There's an 11-year-old that's still in him, playing make-believe and having a great time," says Green."I think he's a very eccentric guy who was asked to be really handsome for a long time; to present himself as something he wasn't.

And he involves a ton of choreography performed by stunt doubles, which translates to a ton of sitting around for Franco.Not just teaching, but taking graduate-level courses in filmmaking and literature; publishing his own fiction and poems with, among other people, Don De Lillo's editor; collaborating with performance-art icon Marina Abramovic and mounting exhibitions of his own art, including a close-up video of urinating penises and defecating assholes; guest starring on on Broadway; founding a rock band called Daddy; directing his own passion projects based on Faulkner novels and the lives of obscure homosexual character actors. Abrams and based on the Stephen King novel of the same name, in which Franco plays a time-traveler tasked with stopping the John F. It's one of the best things he's done in years, and a reminder that – all his multihyphenate activities notwithstanding – he remains one of the most gifted, compulsively watchable actors of his generation. Franco leaves for wardrobe and dons a paisley vest and peak-lapel overcoat.Add to these dizzying bullet points approximately a zillion other improbable career choices, and you could make the case that Franco, 37, is the most productive man in pop culture. He plays a wealthy theater impresario called Fry, with just two lines in this scene, 14 words in all.He teaches at both universities and got confused for a moment."It's a total filmmaking class: In the fall, the writing students come up with a concept, and in the spring, I take over and we shoot it." The premise of would require," Franco says, "and because the idea of having inmates putting on a play opens up all sorts of unconventional casting possibilities, and you get all this crazy shit outside of the play." is an unmistakably shoestring production.

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